dinsdag 26 november 2013

All Access: Your Backstage Pass to Concert Photography by Alan Hess

Advice, inspiration, and insight for taking remarkable concert photos
Concert photography poses a unique set of challenges to photographers, including night or low-light, inconsistent stage lighting, a moving subject matter, limitations on vantage point, complex exposure situations, and no chance for re-takes. Compounded with those hurdles is a lack of resources on this subject?until now. All Access: Your Backstage Pass to Concert Photography fills this gap and provides you with all the information you need to know, from choosing the right gear and camera settings to negotiating rights to publish or share photos as well as how to best edit your photos in post-production.

Reveals essential techniques and valuable best practices for dealing with the unique challenges of concert photography
Features more than 200 stunning concert photographs to inspire you and illustrate the tips and techniques the author describes
Written by experienced author and well-known concert photographer Alan Hess
All Access: Your Backstage Pass to Concert Photography is an ideal resource if you are determined to learn the skills necessary to capture clear, well-composed, and professional-level concert photos.

From the Author: 5 Tips for Shooting Concerts


Alan Hess, Author
1. Learn how to shoot in manual mode.
The constant changing lights at a live concert can cause exposure problems that shooting in manual mode can help you overcome. When you use any of the modes other than manual to control the exposure settings on your camera, the cameras built in light meter has control over some of the settings. For example, when you shoot in aperture priority mode, you set the aperture, but the camera reads the light in the scene and sets the shutter speed. When you use shutter speed priority, you set the shutter speed, but the camera reads the light in the scene and sets the aperture. If the light in the background gets brighter all of a sudden then the camera will pick a faster shutter speed or a smaller aperture and can cause the main part of the image to be underexposed. To really get consistent great concert shots, you need to be able to adjust the shutter speed and aperture yourself using the manual mode of the camera.

2. Use the right metering mode.
In the previous tip, I suggest that you use the manual mode to take the photos which ignores the metering mode but even though the camera doesn't use the information, it is very useful to get the correct settings to start with. The best metering mode for most concert photographs is the spot metering mode. The spot metering mode ignores most of the scene in front of the camera and instead only uses a very small area usually centered around the focus point. By just reading the light in this small section and not the whole scene means that the moving lights in the background or the lack of light in the background is ignored.

3. Focus carefully.
When shooting in low light as is the norm when shooting concerts, you usually have to use the widest aperture available on the lens. This wide aperture means a shallow depth of field and in the cases when you use a prime lens with a maximum aperture of f/1.4 a very shallow depth of field. This means that you have to be very careful what the focus point of the image is. Make sure that you pick the correct spot for the focus point.

4. Timing is everything.
With all photography, you need to make sure that you are capturing the subject at the best possible moment. When it comes to concert photography this usually means that you have to wait until the musician is not hidden behind the microphone or turned away from you. Watch for the interactions between the performer and the audience for those moments that make the show special and do your research. If the performer is known for a special look or action, make sure you capture that.

5. Shoot in bursts.
With the ability of today's digital cameras to shoot in continuous mode and the large capacity memory cards being relatively inexpensive there is no reason not to shoot in bursts. That is to take 3,4 or even 5 shots in quick succession instead of just one. This allows you to capture the moment with more certainty and even if the lights are changing you can still get the shot.

From the Back Cover
Sound advice for concert photographers
Restricted access, dynamic stage lights, crowded pits, and unpredictable performers are the tough stuff of concert photography. Add in the pressure of knowing there are no second chances to get a missed shot, and you've got a full-blown shooting challenge.

Veteran concert photographer Alan Hess helps you overcome these challenges and capture the energy of a live show. From credentials and gear to camera settings and venue-specific tips, this book covers everything you need to know to capture shots that rock. This manual for concert photography is laced with advice from photographers, band publicists, and musicians. Find out why this is the best job around.

If you've wondered . . .

How to get the right credentials to photograph a concert

What are the do's and don'ts of interacting with venue staff and other photographers at a show

How to deal with colorful stage lights in performance shots

What's the best gear for concert photography

How to get the coveted backstage shots of a band

What it takes to capture concert images that stand apart

http://www.amazon.com/All-Access-Backstage-Concert-Photography/dp/1118172906/ref=sr_1_2?s=books&ie=UTF8&qid=1331058249&sr=1-2

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