dinsdag 26 november 2013

The Book of 101 Books, The: Seminal Photographic Books of the Twentieth Century - Richard Benson (Boek)

*****
The history of the photographic book goes back well more than a century; the medium of photography and the book format were understood very early on to relate to each other on both technical and aesthetic levels. The examples of truly great combinations of photographic image and text, great design and typography bound together as books are numerous, and make up an impressive artistic, social, and documentary statement of the 20th century. Writer and rare book expert Andrew Roth has selected for this volume a group of 101 of the best photography books ever published: books that bring all of the elements of great bookmaking together to create, ultimately, a thing of beauty, a work of art. Mostly made up of publications in which the photographs were meant to be seen in book form, as opposed to the book being merely a repository of images, this list includes many artists and titles that will be familiar to the collector, but also not a few surprises. Chronologically, the first book is Volume One of Edward Curtis's seminal 1907 The North American Indian, the last is David LaChapelle's LaChapelle Land from 1996, and in between are books by Walker Evans and Berenice Abbott, Atget and Brassai, Robert Frank and Garry Winogrand, and many other seminal photographers from all over the world. Each book in the catalogue receives a double page spread including publication information, several image spreads, and a short text about it. The Book of 101 Books, however, is far more than simply an annotated and illustrated catalogue. Six important new essays on a variety of related topics from respected scholars, critics, and artists are included as well: here you will find Richard Benson on the history of printing techniques, Shelley Rice on the societal significance of photography books, May Castleberry on reprints, exhibitions, and keeping books alive for the public; Daido Moriyama on his personal memories of making his classic Bye Bye Photography, Dear, Neville Wakefield on the particular attributes of one of the most recent books in this group: Richard Princeis 1995 Adult Comedy Action Drama, and Jeffrey Fraenkel on the myriad perils of publishing photography books. The catalogue entries themselves are written by the well known critics Vince Aletti and David Levi Strauss. Taken together, the depth and beauty of these essays and images makes The Book of 101 Books both an essential reference and an aesthetically compelling object. In order to insure safe delivery for this item we can only ship Federal Express 3rd Day. An additional charge of $25.00 will be added to your purchase.

Editorial Reviews
From Publishers Weekly
Rare book maven Andrew Roth has turned his powers of judgment toward photography in The Book of 101 Books: Seminal Photographic Books of the 20th Century. Given two full pages each, the selections receive a bibliographic and physical description and a publishing history, as well as cover images and a few choice samples of their contents there are 500 color illustrations in all. Volume one of Curtis's 1907 The North American Indian kicks off the book, followed by plenty of other familiar luminaries, from Stieglitz to Ansel Adams to Henri Cartier-Bresson to Diane Arbus and Nan Goldin. Surprises include Max Ernst and Ren‚ Crevel's Mr. Knife Miss Fork, Bauhaus "phenom" Leszli Moholy-Nagy's Malerei Fotografie Film, and Gilles Peress's Telex Iran, to name a few. Essays by six scholars, artists and critics round out this unusual, beautifully produced collection.

Copyright 2001 Cahners Business Information, Inc.


From Library Journal
Rare book dealer and gallerist Roth delivers just what the title promises. Two or four pages are given to each of 101 books, from Edward Curtis's The North American Indian: Volume 1 (1907) to David LaChapelle's LaChapelle Land (1996). Naturally, a few choices are bound to offend any given reader's taste (LaChapelle Land?!), but overall Roth's choices fairly represent both stunning individual achievements (Hans Bellmer's La Poup‚e) and landmarks in the evolution of both the medium (Larry Clark's Tulsa) and the genre (Robert Frank's The Americans). For each book, the cover and at least a couple of interior spreads are reproduced and accompanied by complete bibliographic information as well as a cogent and concise essay on the book's significance. Together with a half dozen essays on broader themes gallerist Jeffrey Fraenkel on publishing, photographer Daido Moriyama on the creative process, librarian May Castleberry on preservation and access these would be worth the price of the book. The addition of the sumptuous reproductions from so many titles that are simply unavailable to most libraries make this an essential purchase for any serious photography collection. Eric Bryant, "Library Journal"
Copyright 2002 Cahners Business Information, Inc.
About the Author
Vince Aletti writes about photography for Aperture magazine, Modern Painters, the New Yorker, and Photograph. He is the recipient of the 2005 Infinity Award for writing from the International Center of Photography.

The Fraenkel Gallery in San Francisco, founded in 1979 by Jeffrey Fraenkel, has established itself as one of the leading photography galleries in the United States by presenting the work of such seminal artists as Diane Arbus, Carelton Watkins and Garry Winogrand. Fraenkel has also produced some of the medium's finest catalogues and books, including Lee Friedlander: The Little Screens, Robert Adams: Turning Back and Richard Avedon: Made in France.

May Castleberry is the Editor for the Library Council at The Modern Museum of Art, New York.

A New York based critic and historian, Shelley Rice has taught, lectured, and published widely in the United States and abroad. Her book Parisian Views received wide acclain, while her articles have appeared in The New Republic, Art in America, and Art Forum, among other journals. Her many awards include Hasselblad Center, Fulbright, and NEH grants and a Guggenheim Fellowship.

Richard Benson, Dean of the Yale University School of Art for for ten years from 1996-2006, and a professor of photography there for the last 20, is an internationally renowned expert on photographic printing. He has won MacArthur and Guggenheim Fellowships, grants from the NEA, and many other awards. He has printed numerous distinguished photography books, including such classics as The Works of Atget, Lee Friedlander's The American Monument, and Irving Penn's Passage.

"Neville Wakefield's writings on art have been published in several magazines, including Artforum, Frieze, Vogue, and Elle Decor, at the last of which he is contributing editor. He has written texts for the monographs of such artists as Matthew Barney, Vija Celmins, Adam Fuss, Nan Goldin, and Wolfgang Tillmans. He also coedited Scalo Publishers' classic Fashion: Photography of the 90s."

"David Levi Strauss, a highly respected writer and critic, currently teaches at New York University. Among his books are Francesca Woodman and Miguel Rio Branco. He writes for numerous journals including Parkett, Art Forum, Fotografia 6X9, and The Nation."

Daido Moriyama was born near Osaka in 1938. He now lives and works in Tokyo. In 1960, Moriyama moved to Tokyo to join the eminent photographers' group VIVO. Since then he has collaborated with many prominent Japanese photographers including Eikoh Hosoe and Noboyushi Araki. He is widely considered one of the most important and influential living photographers in the world. --This text refers to an out of print or unavailable edition of this title.

http://www.amazon.com/The-Book-101-Books-Photographic/dp/product-description/0967077443/ref=dp_proddesc_0/185-3117764-0651317?ie=UTF8&n=283155&s=books

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